“I carry my ideas about me for a long time, often a very long time, before I commit them to writing. My memory is so good that I never forget a theme that has once come to me, even if it is a matter of years. I alter much, reject, try again until I am satisfied. Then, in my head, the thing develops in all directions, and, since I know precisely what I want, the original idea never eludes me. It rises before me, grows, I hear it, see it in all its size and extension, standing before me like a cast, and it only remains for me to write it down, which is soon done when I can find the time, for sometimes I take up other work, though I never confuse that with the other. You will ask where I find my ideas: I hardly know. They come uninvited, directly or indirectly. I can almost grasp them with my hands in the open air, in the woods, while walking, in the stillness of the night, early in the morning, called up by moods which the poet translates into words, I into musical tones. They ring and roar and swirl about me until I write them down in notes.”
Ludwig Van Beethoven’s explanation of how he composes. The question was posed by Louis Schlösser, a German violinist, composer, and conductor. Schlösser published his recollections of Beethoven in the article “Persönliche Erinnerungen an Beethoven” in Hallelujah (VI, 20-21, 1885). The quote is also found in The Major Pleasures of Life (1934) by Martin Armstrong.
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