“If you look back on your life when you were a child, and you had aspirations, and you had ambitions, but they never really worked out the way you thought they would. So there’s a lot that can make you extremely frustrated and extremely mad. But at the same time, it’s kind of exhilirating. In many ways, it doesn’t matter if things work out exactly the way you wanted them to or they didn’t. The most important thing is the journey. Because the experiences can be so rich and so valuable to you… Of course, I am [happy with the journey so far]. It’s been amazing so far. The best way I could think of, you know, leaving this world, and it would be either, you know, go to sleep and not wake up or be in the middle of… a telecine suite doing a new transfer, like a 4k or an 8k tranfer of [2001: A Space Odyssey]. Just as the music play out, I’d say, ‘I’m coming. — I’m with ya, Zarathustra.'”
Leon Vitali from the documentary about his life: Filmworker by Tony Zierra. Vitali was a successful British actor who in 1974 walked away from acting, and spent a lot of time away from his family, to become legendary filmmaker Stanley Kubrick’s apprentice and right-hand man for more than 25 years. Vitali, credited as “personal assistant to director,” worked alongside “the maestro” on cinematic masterpieces like The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999). Since Kubrick’s death in 1999, Vitali has overseen the restoration of all of Kubrick’s films. Currently, Vitali has been working as a consultant to the Kubrick estate. Recently, he has been supervising a new digital 4k version of 2001: A Space Odysssey. He is also working on creating a comprehensive archive of all of Stanley Kubrick’s film elements.
Steve Southgate, the vice president in charge of European technical operations for Warner Brothers who had worked on most of Kubrick’s films watched the apprentice transform into a master: “Leon was a spirit. You could see, you know, the doors open before he got to a door. He has this aura of ‘Kubrickism’ around him. The apprentice that all of a sudden one day became the master with all the answers.” Southgate had enormous respect for Kubrick: “He was one person in the film industry who knew how the film industry worked — in every country in the world. He knew all of the dubbing people, the dubbing directors, the actors, he had relationships with foreign directors who would supervise his work because he couldn’t be there to supervise himself. We had to go around to every cinema to make sure the projection lights were right, the sound was correct, the ratios were right, the screens were clean… He seemed to work 24 hours a day. We used to get calls all hours of the night. He could be very difficult but not in a difficult way. If you ever got chewed out by Stanley on the phone you knew you’d been chewed out. He never screamed or yelled but he had this wonderful manner and a sort of lovely New York drawl to his voice that you knew you were being carpeted. If he had any criticism of his film, he took it terribly personally. It was body and soul to him.”
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